5.734 file audio bebas royalti untuk "Jr. (leader & Commander) And Csm Debra L. Mcgarity (command Sergeant Major)"

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 45 Prelude No. 23 in B major, BWV 868

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 45 Prelude No. 23 in B major, BWV 868

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 21 Prelude No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 10 Fugue No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 46 Fugue No. 23 in B major, BWV 868

فارسی: سرود «سر کوچه کمینه» از نوار کاست «سرودها، اشعار و مارشهای انقلابی مجاهدین خلق ایران – سری چهارم» منتشرشده در آبان ۱۳۵۷ به تهیه‌کنندگی محمد سیدی کاشانیThere's an Ambush at the Alley (Sare Koucheh Kamineh), a song from the 1979 cassette tape named "Songs, Poems and Revolutionary Marches of the People's Mujahedin of Iran – Serie 4", produced by Mohammad Seyyedi Kashani (uncredited). The song was written by an imprisoned member of the People's Mujahedin of Iran, inspired by assassination of the US Army Lieutenant colonel w:Lewis Lee Hawkins by the organisation. No one is credited in this album.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Major second on D.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 26 Fugue No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Cloud Kisser (1911), by Charles L. Johnson

Cloud Kisser (1911), by Charles L. Johnson

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

F major scale played on western concert flute F-durskala spillet på tværfløjte

Rule of the octave, major scale.

D chord in all fourths tuning.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Ogg Vorbis sound file of C Major scale

The Army Goes Rolling Along performed by the Concert Band of the United States Air Force Band. Track 31 from Esprit de Corps (1997).

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8